6 October 2009

For some time now, I’ve been growing increasingly fond of Craig Ferguson.  I knew I was hooked when, one (late late) night, after having had a rather unpleasant argument with my life mate, I was watching Craig with the earphones hooked into the TV — just to be doing anything at all that did not involve confronting said mate in the bedroom — and I found myself laughing out loud. Continually.  For about half an hour.

Of course, Craig has the good fortune — ratings-wise — of being scheduled opposite Jimmy Fallon.  Who — despite his run on SNL and charming performance in FEVER PITCH — is cringingly unwatchable in the Late-Late venue (although, if you’ve ever seen his “Head Swap” bit, that’s pretty funny.  But that’s really the only thing that’s funny.)

If you’ve never watched Craig, keep him in mind for those insomniac (or post-spousal-argument nights).  He’s doing something none of the other late-show hosts are doing; he’s just being silly. (And, ok, a little bit bawdy.  But in a silly sort of way.)  I don’t think I realized just how nourishing plain old silly can be.

And since the dust-up with Letterman last Thursday (I’d post the amazingly bizarre, fascinating, vaguely disturbing mea culpa video here, but CBS has confiscated it from YouTube), where he confessed to being blackmailed by a CBS producer who knew that he’d been sleeping with his female staffers (“To that I say, ‘Yes.  Yes I have,’” said Letterman to his live studio audience), I’ve been hearing more and more praise of Craig.  To the tune of, “I only watch Letterman so I can get to Craig Ferguson anyway.”

Here are a couple of recent NY Times pieces:

About his show

About his recently released memoir

5 October 2009

I’ve recently “come out” regarding a favorite novel of mine.  For some time, it’s been my little secret; the book I cherish that few people (in the U.S.) have heard of.  But somehow it seems about time to come clean, to — borrowing a bit of religious terminology — spread the good news.

I’m a fan of literary publications and online sites that devote space to books which are under-recognized, or perhaps once-recognized but long out-of-fashion.  The Second Pass is one such site.  Read my review of Carrie Tiffany‘s Everyman’s Rules for Scientific Living here at the Backlist column of The Second Pass.

2 October 2009

In the writing and publishing worlds, in the context of digital digital everywhere, we all seem to be looking for the way  forward.  Or out.  Or backwards, perhaps.  And Richard Nash seems to be someone we’re watching, and listening to, for his sense of the possible.

Here, he writes/talks about his new social publishing venture, Cursor.

I’ve read the description — a kind of manifesto (part philosophy, part business plan) — but don’t really know what to do with it.

I am in student-story commenting mode, and the most frequent comment I make is the familiar “show, don’t tell.”  You have to incarnate this abstraction, make it concrete.  (In my mind, when I need to entertain myself while making said comments, I imagine Cuba Gooding, Jr. bending his knees to the imaginary hip-hop beat, dancing around his house, screaming at Tom Cruise on the phone: SHOW ME THE MOOOONNNNNNEEEEEYYY!)

So we’ll be seeing how it all it fleshes out, so to speak.  Everything about the digital and social networking worlds feels that way to me, i.e. complete abstraction in the summation, but once you “get in there,” it starts to mean something.

Like for instance, in the earlier days of this blog, when 10 people were reading it and I wasn’t really sure what this blogging thing was all about; and I posted a response to Dan Baum‘s Twitter-essay about being fired from the New Yorker; and Dan Baum got wind of the post, and commented on it, then Twittered a link to it; then suddenly 600 people came flooding to my blog (which was a little like having 600 people show up at your house before you’d brushed your teeth or gotten dressed or washed last night’s dirty dishes).

Ah, that’s what linking and blogging and commenting are all about, I thought.  A non-abstract incarnation of digital connection.

A friend who is helping me think through the social networking side of book promotions was making the case for why Twitter (i.e. me Twittering) is meaningful in this context, and after a few minutes of, “It’s kind of like… no, it’s more like…”, I finally said: “Never mind, it’s one of those things you just have to do to understand.”  For me, the Twitter jury is still out; but should the empirical experience summon me, you all will surely be the first to know.


2 October 2009

In case you are looking for some suggested reading, here’s the list of all works of fiction that were nominated for the Best of the Millenium (So Far) at The Millions.  It makes one a little breathless to behold the vast range of good fiction being written and read.

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