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	<title>Comments on: Bio</title>
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	<link>http://sonyachung.com</link>
	<description>Novel News, and Other Redundancies</description>
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		<title>By: What We Teach When We Teach Writers: On the Quantifiable and the Uncertain &#171; Rose O&#039;Neill Literary House</title>
		<link>http://sonyachung.com/bio/#comment-1090</link>
		<dc:creator><![CDATA[What We Teach When We Teach Writers: On the Quantifiable and the Uncertain &#171; Rose O&#039;Neill Literary House]]></dc:creator>
		<pubDate>Tue, 02 Nov 2010 00:04:07 +0000</pubDate>
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		<description><![CDATA[[...] Sonya Chung has written an insightful piece on the writing life for The Millions. The essay&#8217;s central message is simple (and useful to all of us): keep writing. Chung also quotes Monday&#8217;s LitHouse guest Junot Díaz regarding the process of writing his Pulitzer Prize-winning The Brief Wondrous Life of Oscar Wao, five years into it: [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Sonya Chung has written an insightful piece on the writing life for The Millions. The essay&#8217;s central message is simple (and useful to all of us): keep writing. Chung also quotes Monday&#8217;s LitHouse guest Junot Díaz regarding the process of writing his Pulitzer Prize-winning The Brief Wondrous Life of Oscar Wao, five years into it: [...]</p>
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		<title>By: The Nervous Breakdown</title>
		<link>http://sonyachung.com/bio/#comment-902</link>
		<dc:creator><![CDATA[The Nervous Breakdown]]></dc:creator>
		<pubDate>Sat, 12 Jun 2010 23:30:16 +0000</pubDate>
		<guid isPermaLink="false">http://sonyachung.wordpress.com/?page_id=69#comment-902</guid>
		<description><![CDATA[[...] her mind she was thinking, “It is?”  She and I have both been invited to do guest-blogging and interviews and events; so maybe that’s the red herring as far as a book’s “success”?  Sales is its [...]]]></description>
		<content:encoded><![CDATA[<p>[...] her mind she was thinking, “It is?”  She and I have both been invited to do guest-blogging and interviews and events; so maybe that’s the red herring as far as a book’s “success”?  Sales is its [...]</p>
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		<title>By: Fiction Writers Review &#187; Blog Archive &#187; Long for This World by Sonya Chung</title>
		<link>http://sonyachung.com/bio/#comment-657</link>
		<dc:creator><![CDATA[Fiction Writers Review &#187; Blog Archive &#187; Long for This World by Sonya Chung]]></dc:creator>
		<pubDate>Wed, 31 Mar 2010 17:51:02 +0000</pubDate>
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		<description><![CDATA[[...] cover of Sonya Chung’s debut novel, Long for This World (Scribner, March 2010), shows a young woman gazing out over a [...]]]></description>
		<content:encoded><![CDATA[<p>[...] cover of Sonya Chung’s debut novel, Long for This World (Scribner, March 2010), shows a young woman gazing out over a [...]</p>
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		<title>By: Barrie-Lee</title>
		<link>http://sonyachung.com/bio/#comment-479</link>
		<dc:creator><![CDATA[Barrie-Lee]]></dc:creator>
		<pubDate>Sun, 10 Jan 2010 15:47:28 +0000</pubDate>
		<guid isPermaLink="false">http://sonyachung.wordpress.com/?page_id=69#comment-479</guid>
		<description><![CDATA[Dear Sonya,
I just read your opinion about Lit vs. Genre fiction from your article that included Sherman Alexie&#039;s quote about being taken for Goliath instead of David.  I wanted to tell you that recently I&#039;ve also noticed, with dismay, that many of the &quot;Moms&quot; on the school blacktop have stooped to reading the vampire books for teenage girls.  It makes me want to divorce my girlfriends.  Still, on Victoria Lautman&#039;s Writers on the Record (on Chicago Public Radio) I&#039;ve heard a few authors talking about their guilty pleasures of reading genre fiction and how they intend to break out of conventional writing and perhaps blend their writing.  I&#039;m not positive, but I think the writers I&#039;ve heard mention this include Michael Cunningam, Jonathan Safran Foer (who loves  Joseph Cornell and his abilities  to create a message succinctly through art), and even Junot Diaz who embraces language in a clearly no-snobby way.  These guys made me smile, because they wanted to break convention.  JSF even said that some bad books have a place so that good ones can be written.   We&#039;ll see what they can come up with - and how book publishers will market them.  Thank you for your convictions.  Today, especially in the book  publishing world, it&#039;s hard to stand on strong literary legs.]]></description>
		<content:encoded><![CDATA[<p>Dear Sonya,<br />
I just read your opinion about Lit vs. Genre fiction from your article that included Sherman Alexie&#8217;s quote about being taken for Goliath instead of David.  I wanted to tell you that recently I&#8217;ve also noticed, with dismay, that many of the &#8220;Moms&#8221; on the school blacktop have stooped to reading the vampire books for teenage girls.  It makes me want to divorce my girlfriends.  Still, on Victoria Lautman&#8217;s Writers on the Record (on Chicago Public Radio) I&#8217;ve heard a few authors talking about their guilty pleasures of reading genre fiction and how they intend to break out of conventional writing and perhaps blend their writing.  I&#8217;m not positive, but I think the writers I&#8217;ve heard mention this include Michael Cunningam, Jonathan Safran Foer (who loves  Joseph Cornell and his abilities  to create a message succinctly through art), and even Junot Diaz who embraces language in a clearly no-snobby way.  These guys made me smile, because they wanted to break convention.  JSF even said that some bad books have a place so that good ones can be written.   We&#8217;ll see what they can come up with &#8211; and how book publishers will market them.  Thank you for your convictions.  Today, especially in the book  publishing world, it&#8217;s hard to stand on strong literary legs.</p>
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